{"id":272,"date":"2024-12-08T10:27:23","date_gmt":"2024-12-08T09:27:23","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=272"},"modified":"2024-12-08T10:30:51","modified_gmt":"2024-12-08T09:30:51","slug":"jazzphabet-2","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2024\/12\/08\/jazzphabet-2\/","title":{"rendered":"Jazzphabet"},"content":{"rendered":"\n<p>Nouveaut\u00e9s &amp; d\u00e9couvertes <br><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4724-jazzphabet-nouveautes-et-decouvertes\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4724-jazzphabet-nouveautes-et-decouvertes<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"380\" height=\"380\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/8_0602475068464_005.jpg\" alt=\"\" class=\"wp-image-279\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/8_0602475068464_005.jpg 380w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/8_0602475068464_005-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/8_0602475068464_005-150x150.jpg 150w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<ol class=\"wp-block-list\">\n<li>Thomas Stronen &#8211; Chris Potter &#8211; Ephemeral &#8211; Relations &#8211; 2024-11-29 (3:05)<\/li>\n\n\n\n<li>Lee Konitz &#8211; Aarhus &#8211; Taking Turns &#8211; 2024-11-29 (3:40)<\/li>\n\n\n\n<li>Brad Mehldau, Mark Turner, Peter Bernstein, Larry Grenadier, Bill Stewart &#8211; Soft Impression &#8211; Solid Jackson &#8211; 2024 (5:59)<\/li>\n\n\n\n<li>Lars Danielsson, Verneri Pohjola, John Parricelli &#8211; La Chanson d&rsquo;H\u00e9l\u00e8ne &#8211; Trio &#8211; 2024 (3:59)<\/li>\n\n\n\n<li>Howard McGhee &#8211; Dusty Blue &#8211; Dusty Blue &#8211; 1961 (2:53)<\/li>\n\n\n\n<li>ORNETTE COLEMAN &#8211; LONELY WOMAN &#8211; THE SHAPE OF JAZZ TO COME &#8211; 2010 (5:00)<\/li>\n\n\n\n<li>Pierrick Pedron &#8211; Lonely woman &#8211; The Shape of Jazz to Come (Something else) &#8211; 2024-11-08 (6:52)<\/li>\n\n\n\n<li>Une ville est tomb\u00e9e d&rsquo;une falaise &#8211; &#8211; (7:35)<\/li>\n\n\n\n<li>Gabor Gado &#8211; Haiku &#8211; The Language of Flowers &#8211; 2024 (3:12)<\/li>\n\n\n\n<li>Yonathan Avishai &#8211; When You&rsquo;re Smiling &#8211; Shapes and Sounds &#8211; 2024 (4:21)<\/li>\n\n\n\n<li>Michel Petrucciani &#8211; Someday My Prince Will Come &#8211; Jazz Club Montmartre &#8211; CPH 1988 (Remastered) &#8211; 2024 (4:36)<\/li>\n\n\n\n<li>The Anita Kerr Quartet &#8211; I Took The Blues Out Of Tomorrow (Remastered) &#8211; Voices In Hi-Fi &#8211; 1958 (2:09)<\/li>\n\n\n\n<li>Jamie Saft &#8211; Reflections &#8211; Jamie Saft Trio Plays Monk &#8211; 2024-11-22 (8:45)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Nouveaut\u00e9s &amp; d\u00e9couvertes https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4724-jazzphabet-nouveautes-et-decouvertes<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[16,4,5],"class_list":["post-272","post","type-post","status-publish","format-standard","hentry","category-emissions","tag-actualites","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=272"}],"version-history":[{"count":4,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/272\/revisions"}],"predecessor-version":[{"id":282,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/272\/revisions\/282"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}