{"id":284,"date":"2024-12-16T11:09:18","date_gmt":"2024-12-16T10:09:18","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=284"},"modified":"2024-12-16T11:09:18","modified_gmt":"2024-12-16T10:09:18","slug":"jazzphabet-voyage-a-travers-2024","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2024\/12\/16\/jazzphabet-voyage-a-travers-2024\/","title":{"rendered":"Jazzphabet : Voyage \u00e0 travers 2024&#8230;"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/intriospection-camille-thouvenot-metta-trio.jpg\" alt=\"\" class=\"wp-image-285\" style=\"width:356px;height:auto\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/intriospection-camille-thouvenot-metta-trio.jpg 800w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/intriospection-camille-thouvenot-metta-trio-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/intriospection-camille-thouvenot-metta-trio-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2024\/12\/intriospection-camille-thouvenot-metta-trio-768x768.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4736-jazzphabet-voyage-a-travers-2024\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4736-jazzphabet-voyage-a-travers-2024<\/a><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<ol class=\"wp-block-list\">\n<li>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (g\u00e9n\u00e9rique)<\/li>\n\n\n\n<li>Camille Thouvenot Mett\u00e0 Trio &#8211; Concrete Jungle &#8211; inTriospection &#8211; 2024 (4:53)<\/li>\n\n\n\n<li>Jerome Lefebvre,Christophe Lincontang,Sangoma Everett &#8211; Les oiseaux parlent-ils encore? &#8211; Alternate Streams &#8211; 2022 (5:07)<\/li>\n\n\n\n<li>Giuffre Jimmy 3 &#8211; 1961 (1961)Jesus Maria intro &#8211; &#8211; (0:41)<\/li>\n\n\n\n<li>Norma Winstone, Kit Downes &#8211; Outpost of dreams &#8211; 2024(3:30)<\/li>\n\n\n\n<li>Karim Saber &#8211; Alien Folk Song &#8211; Transmission &#8211; 2024 (3:30)<\/li>\n\n\n\n<li>Thandi Ntuli &#8211; Voice and Tongo Experiment &#8211; Rainbow Revisited &#8211; 2023-11-17 (2:18)<\/li>\n\n\n\n<li>Fred Pallem &#8211; Voici venir les Barbapapa &#8211; Cartoons, le retour! &#8211; 2024-12-06 (3:32)<\/li>\n\n\n\n<li>jazzphabet &#8211; jingle inter &#8211; jazz ts les etages joel &#8211; &#8211; (0:10)<\/li>\n\n\n\n<li>The Kyle Shepherd Trio &#8211; Teardrop &#8211; A Dance More Sweetly Played &#8211; 2024-11-18 (6:24)<\/li>\n\n\n\n<li>Louis Sclavis &#8211; Benjamin Moussay &#8211; L&rsquo;heure de Loup &#8211; &#8211; (3:16)<\/li>\n\n\n\n<li>Charlotte Planchou &#8211; L&rsquo;Albatros &#8211; Le Carillon &#8211; 2024 (3:50)<\/li>\n\n\n\n<li>Arooj Aftab &#8211; Autumn Leaves (feat. James Francies) &#8211; Night Reign &#8211; 2024 (4:46)<\/li>\n\n\n\n<li>Baptiste Trotignon &amp; Arthur Teboul &#8211; Il n&rsquo;y a pas d&rsquo;amour heureux &#8211; Piano Voix &#8211; 2024 (2:49)<\/li>\n\n\n\n<li>Christophe Monniot &#8211; 02 &#8211; Interlude &#8211; Six Migrant Pieces &#8211; 2024 (4:08)<\/li>\n\n\n\n<li>Albert Ayler Trio &#8211; Spirits &#8211; Prophecy Live, First Visit &#8211; 2024 (7:29)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4736-jazzphabet-voyage-a-travers-2024<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[4,5],"class_list":["post-284","post","type-post","status-publish","format-standard","hentry","category-emissions","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":1,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":286,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/284\/revisions\/286"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}