{"id":293,"date":"2025-01-03T16:17:22","date_gmt":"2025-01-03T15:17:22","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=293"},"modified":"2025-01-03T16:17:22","modified_gmt":"2025-01-03T15:17:22","slug":"jazzphabet-jazzhasard","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/01\/03\/jazzphabet-jazzhasard\/","title":{"rendered":"Jazzphabet: Jazz&rsquo;hasard"},"content":{"rendered":"\n<p><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4756-jazzphabet-jazz-hasard\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4756-jazzphabet-jazz-hasard<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"393\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/01\/jazzphabet-noir-et-blanc-1.jpg\" alt=\"\" class=\"wp-image-294\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/01\/jazzphabet-noir-et-blanc-1.jpg 634w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/01\/jazzphabet-noir-et-blanc-1-300x186.jpg 300w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<ol class=\"wp-block-list\">\n<li>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (6:37)<\/li>\n\n\n\n<li>Ray Brown, Monty Alexander, Sam Most &#8211; There Is No Greater Love &#8211; A Ray Brown 3 &#8211; 1982 (3:06)<\/li>\n\n\n\n<li>Miles Davis &#8211; In a Silent Way [#][Rehearsal] &#8211; The Complete In a Silent Way Sessions Disc 2 &#8211; 2001 (5:27)<\/li>\n\n\n\n<li>Sonny Clark Trio &#8211; Dancing In The Dark &#8211; Blues In The Night &#8211; 1958 (3:32)<\/li>\n\n\n\n<li>John Coltrane &#8211; Like Someone In Love &#8211; Lush Life (2007 DSD Japan Remaster) &#8211; (4:56)<\/li>\n\n\n\n<li>Jan Garbarek, Arild Andersen, Edward Vesala &#8211; Selje &#8211; Triptykon &#8211; 1972 (2:22)<\/li>\n\n\n\n<li>Eddy Louiss &#8211; Angel Eyes &#8211; Jazz in Paris: Bohemia After Dark &#8211; 1973 (4:19)<\/li>\n\n\n\n<li>Jimmy Smith &#8211; What&rsquo;d I Say? &#8211; Any Number Can Win &#8211; 1963 (2:52)<\/li>\n\n\n\n<li>The Bad Plus &#8211; Do It Again &#8211; Inevitable Western &#8211; 2014 (3:55)<\/li>\n\n\n\n<li>Jeanne Lee, Mal Waldron &#8211; Goodbye Pork-Pie Hat &#8211; After Hours &#8211; 1994 (3:24)<\/li>\n\n\n\n<li>Pierre Favre &#8211; Saxophones &#8211; Saxophones &#8211; (1:33)<\/li>\n\n\n\n<li>Melanie De Biasio &#8211; Sitting in the Stairwell &#8211; Lilies &#8211; 2017 (2:49)<\/li>\n\n\n\n<li>Melvin Sparks &#8211; Akilah &#8211; Sparks\/Akilah &#8211; 1970, 1972 (4:42)<\/li>\n\n\n\n<li>Mathias Eick &#8211; Porvoo &#8211; The Door &#8211; 2008 (4:15)<\/li>\n\n\n\n<li>Miroslav Vitous &#8211; Bamboo Forest &#8211; Universal Syncopations &#8211; 2003 (4:37)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4756-jazzphabet-jazz-hasard<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[4,5],"class_list":["post-293","post","type-post","status-publish","format-standard","hentry","category-emissions","category-non-classe","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=293"}],"version-history":[{"count":1,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/293\/revisions"}],"predecessor-version":[{"id":295,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/293\/revisions\/295"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}