{"id":341,"date":"2025-03-08T09:55:28","date_gmt":"2025-03-08T08:55:28","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=341"},"modified":"2025-03-08T09:55:28","modified_gmt":"2025-03-08T08:55:28","slug":"jazzphabet-le-jazz-en-d","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/03\/08\/jazzphabet-le-jazz-en-d\/","title":{"rendered":"Jazzphabet : le jazz en \u00ab\u00a0D\u00a0\u00bb"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4833-jazzphabet-jazz-en-d\">https:\/\/www.frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4833-jazzphabet-jazz-en-d<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2560\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-scaled.jpg\" alt=\"\" class=\"wp-image-344\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-scaled.jpg 2560w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-1024x1024.jpg 1024w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-768x768.jpg 768w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-1536x1536.jpg 1536w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-1-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<ol class=\"wp-block-list\">\n<li>Yazz Ahmed &#8211; She Stands On the Shore &#8211; A Paradise In The Hold &#8211; 2025-02-28 (5:13)<\/li>\n\n\n\n<li>Miles Davis &#8211; Airegin &#8211; Cookin&rsquo; with the Miles Davis Quintet &#8211; 1957 (4:27)<\/li>\n\n\n\n<li>Blossom Dearie &#8211; The Shadow Of Your Smile (Remastered) &#8211; Discover Who I Am: Blossom Dearie In London (The Fontana Years: 1966-1970) &#8211; 2023-04-21 (4:13)<\/li>\n\n\n\n<li>Jack DeJohnette, Ravi Coltrane, Matthew Garrison &#8211; Alabama &#8211; In Movement [ECM 2488] &#8211; 2016 (6:51)<\/li>\n\n\n\n<li>Melanie De Biasio &#8211; Afro Blue &#8211; Lilies &#8211; 2017 (4:33)<\/li>\n\n\n\n<li>Stefano Di Battista &#8211; Amarcord &#8211; La dolce vita &#8211; 2024-05-03 (2:11)<\/li>\n\n\n\n<li>Anne Ducros &#8211; Samba Saravah &#8211; Brother? Brother! &#8211; 2017 <\/li>\n\n\n\n<li>Lars Danielsson, Verneri Pohjola, John Parricelli &#8211; La Chanson d&rsquo;H\u00e9l\u00e8ne &#8211; Trio &#8211; 2024 (3:59)<\/li>\n\n\n\n<li>Dousteyssier Jean &#8211; Post K &#8211; Jazz Battle (2016)<\/li>\n\n\n\n<li>Guillaume de Chassy &#8211; Le Dollar &#8211; Chansons Sous Les Bombes &#8211; 2007 (4:37)<\/li>\n\n\n\n<li>Angelo Debarre &#8211; Blues for Raangy &#8211; Trio tout a cordes &#8211; 2008 (2:18)<\/li>\n\n\n\n<li>Ayers Roy &#8211; Virgo Vibes &#8211; Virgo Vibes (1967) Hommage <br>(1940 &#8211; 2025)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4833-jazzphabet-jazz-en-d<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[16,4,5],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-emissions","tag-actualites","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":1,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/341\/revisions"}],"predecessor-version":[{"id":345,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/341\/revisions\/345"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}