{"id":353,"date":"2025-03-31T15:41:50","date_gmt":"2025-03-31T13:41:50","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=353"},"modified":"2025-03-31T15:41:50","modified_gmt":"2025-03-31T13:41:50","slug":"jazzphabet-jazz-printemps","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/03\/31\/jazzphabet-jazz-printemps\/","title":{"rendered":"Jazzphabet : Jazz &amp; Printemps"},"content":{"rendered":"\n<p><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4846-jazzphabet-le-printemps\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4846-jazzphabet-le-printemps<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3-1024x1024.jpg\" alt=\"\" class=\"wp-image-354\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3-1024x1024.jpg 1024w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3-768x768.jpg 768w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/03\/Cover-3.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<ol class=\"wp-block-list\">\n<li>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (6:37)<\/li>\n\n\n\n<li>Nels Cline &#8211; Down Close &#8211; Consentrik Quartet &#8211; 2025-03-14 (4:13)<\/li>\n\n\n\n<li>Nicolas Masson &#8211; Moving On &#8211; Renaissance &#8211; 2025-03-14 (2:32)<\/li>\n\n\n\n<li>Randal Despommier &#8211; Jelly Roll\u0092s Living Room &#8211; South (2025)<\/li>\n\n\n\n<li>Blossom Dearie &#8211; They Say It&rsquo;s Spring &#8211; Give Him the Ooh-La-La &#8211; 1957 (3:46)<\/li>\n\n\n\n<li>Michel Legrand &#8211; Paris in the spring &#8211; Jazz in Paris: Paris Jazz Piano &#8211; 1959 (3:32)<\/li>\n\n\n\n<li>Abbey Lincoln &#8211; You must believe in spring and love &#8211; Through the Years (CD 2) &#8211; 2009 (6:01)<\/li>\n\n\n\n<li>Oregon &#8211; LADO 2- Shard &#8211; Spring Is Really Coming &#8211; Music Of Another Present Era (LP) &#8211; 1972 (3:29)<\/li>\n\n\n\n<li>Nils Landgren, Michael Wollny, Lars Danielsson, Wolfgang Haffner &#8211; Spring Dance &#8211; 4 Wheel Drive II &#8211; 2023 (3:00)<\/li>\n\n\n\n<li>Jacky Terrasson &#8211; I Love Paris in the Springtime &#8211; A Paris &#8211; 2000 (3:10)<\/li>\n\n\n\n<li>Stan Getz &#8211; Spring Is Here &#8211; Spring Is Here &#8211; 1992 (7:44)<\/li>\n\n\n\n<li>Nina Simone &#8211; It Might As Well Be Spring &#8211; The Amazing Nina Simone &#8211; 1959 (3:57)<\/li>\n\n\n\n<li>Paul Motian &#8211; It Might as Well Be Spring &#8211; On Broadway, Vol.2 &#8211; 1990 (5:55)<\/li>\n\n\n\n<li>Albert Mangelsdorff &amp; Lee Konitz &#8211; She&rsquo;s As Wild As Springtime &#8211; Art Of The Duo &#8211; 1989 (3:17)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4846-jazzphabet-le-printemps<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[16,4,5],"class_list":["post-353","post","type-post","status-publish","format-standard","hentry","category-emissions","category-non-classe","tag-actualites","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=353"}],"version-history":[{"count":1,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/353\/revisions"}],"predecessor-version":[{"id":355,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/353\/revisions\/355"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}