{"id":360,"date":"2025-04-15T10:32:11","date_gmt":"2025-04-15T08:32:11","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=360"},"modified":"2025-04-15T10:32:11","modified_gmt":"2025-04-15T08:32:11","slug":"jazzphabet-le-jazz-en-f","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/04\/15\/jazzphabet-le-jazz-en-f\/","title":{"rendered":"Jazzphabet : le jazz en \u00ab\u00a0F\u00a0\u00bb"},"content":{"rendered":"\n<p><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4867-jazzphabet-nouveaute\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4867-jazzphabet-nouveaute<\/a><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/04\/Folder.jpg\" alt=\"\" class=\"wp-image-361\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/04\/Folder.jpg 1024w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/04\/Folder-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/04\/Folder-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/04\/Folder-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (g\u00e9n\u00e9rique)<\/li>\n\n\n\n<li>Leszek Mo\u017cd\u017cer, Lars Danielsson, Zohar Fresco &#8211; Ambio Bluette &#8211; Beamo &#8211; 2025 (4:16)<\/li>\n\n\n\n<li>Lea Maria Fries &#8211; Liquid Thoughts &#8211; Cleo &#8211; 2025 (1:28)<\/li>\n\n\n\n<li>Emil Brandqvist Trio &#8211; Interlude No. 2 &#8211; Poems for Travellers &#8211; 2025 (2:59)<\/li>\n\n\n\n<li>jazzphabet &#8211; jingle inter &#8211; le disque du mois ingrid &#8211; (0:06)<\/li>\n\n\n\n<li>Anouar Brahem &#8211; Dancing Under the Meteorites &#8211; After the Last Sky &#8211; 2025-03-28 (4:25) <\/li>\n\n\n\n<li>Piers Faccini &amp; Vincent Segal &#8211; Cradle To The Grave &#8211; Songs Of Time Lost &#8211; 2014 (2:19)<\/li>\n\n\n\n<li>Don Fagerquist Octet &#8211; All the Things You Are &#8211; Eight by Eight &#8211; 1987 (3:32)<\/li>\n\n\n\n<li>Tal Farlow &#8211; With The Wind And The Rain In Your Hair &#8211; Verve Jazz Masters 41 &#8211; 1995 (3:04)<\/li>\n\n\n\n<li>Dominique Fils-Aim\u00e9 &#8211; Grow Mama Grow &#8211; Three Little Words &#8211; 2021 (3:16)<\/li>\n\n\n\n<li>jazzphabet &#8211; jingle inter &#8211; jazz ts les etages joel -(0:10)<\/li>\n\n\n\n<li>Brigitte Fontaine &#8211; Comme A La Radio &#8211; Comme A La Radio &#8211; 1970 (8:03)<\/li>\n\n\n\n<li>Anat Fort Trio &amp; Gianluigi Trovesi &#8211; Milarepa (Pt. 1) &#8211; Birdwatching [ECM 2382] &#8211; 2016 (1:39)<\/li>\n\n\n\n<li>Ella Fitzgerald &#8211; &lsquo;Round Midnite &#8211; Clap Hands Here Comes Charlie &#8211; 1962 (3:28)<\/li>\n\n\n\n<li>Boulou Ferre, Elios Ferr\u00e9, Niels-Henning \u00d8rsted Pedersen &#8211; De Moscou a Odessa &#8211; Trinity &#8211; 1987 (2:44)<\/li>\n\n\n\n<li>Faithfull Marianne &#8211; In My Solitude &#8211; Easy Come Easy Go (2008)<\/li>\n\n\n\n<li>Ga\u00ebl Faye &#8211; Paris meteque &#8211; Rythmes et botanique &#8211; 2017 (3:30)<\/li>\n\n\n\n<li>The Art Farmer &#8211; Benny Golson Jazztet &#8211; Killer Joe &#8211; Killer Joe &#8211; 1960 (4:57)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4867-jazzphabet-nouveaute<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[4,5],"class_list":["post-360","post","type-post","status-publish","format-standard","hentry","category-jazzphabet","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=360"}],"version-history":[{"count":1,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/360\/revisions"}],"predecessor-version":[{"id":362,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/360\/revisions\/362"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}