{"id":384,"date":"2025-05-27T11:36:14","date_gmt":"2025-05-27T09:36:14","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=384"},"modified":"2025-05-27T11:37:11","modified_gmt":"2025-05-27T09:37:11","slug":"jazzphabet-le-jazz-en-h","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/05\/27\/jazzphabet-le-jazz-en-h\/","title":{"rendered":"Jazzphabet : le jazz en \u00ab\u00a0H\u00a0\u00bb"},"content":{"rendered":"\n<p><a href=\"https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4920-jazzphabet-jazz-en-h\">https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4920-jazzphabet-jazz-en-h<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover-1024x1024.jpg\" alt=\"\" class=\"wp-image-386\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover-1024x1024.jpg 1024w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover-768x768.jpg 768w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/05\/Cover.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<ol class=\"wp-block-list\">\n<li>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (g\u00e9n\u00e9rique)<\/li>\n\n\n\n<li>Keith Jarrett &#8211;<strong> <\/strong>New Vienna Part V &#8211; New Vienna &#8211; ECM &#8211; 2025<\/li>\n\n\n\n<li>St\u00e9phane Kerecki &amp; Vincent Segal &#8211; L&rsquo;\u0092\u00e9chapp\u00e9e &#8211; Ponticello &#8211; Fuga Libera (FUG 860) &#8211; 2025<\/li>\n\n\n\n<li>Jim Hall &#8211; This Is Always &#8211; Jim Hall Plays Standards &#8211; 2020-04-15 (2:51)<\/li>\n\n\n\n<li>Charlie Haden &#8211; For Turiya &#8211; The Complete Recordings on Black Saint and Soul Note (Old and New Dreams\/A Tribute to Black Disc 5 &#8211; 2010 (3:30)<\/li>\n\n\n\n<li>Wolfgang Haffner &#8211; Yoyo &#8211; Silent World &#8211; 2023 (3:02)<\/li>\n\n\n\n<li>Herbie Hancock &#8211; Cantaloupe Island &#8211; The Best Of (The Blue Note Years) &#8211; 1995 (5:34)<\/li>\n\n\n\n<li>Jazzphabet &#8211; jingle inter &#8211; jazz \u00e0 tous les \u00e9tages Jo\u00ebl &#8211; <\/li>\n\n\n\n<li>Coleman Hawkins &#8211; Stumpy Bossa Nova &#8211; Desafinado &#8211; 1962 (2:30)<\/li>\n\n\n\n<li>Billie Holiday &#8211; Moonlight in Vermont &#8211; Body and Soul &#8211; 1957 (3:51)<\/li>\n\n\n\n<li>Joe Henderson &#8211; I Loves You Porgy &#8211; Porgy and Bess &#8211; 1997 (4:20)<\/li>\n\n\n\n<li>Shirley Horn &#8211; Yesterday &#8211; May The Music Never End &#8211; 2003 (4:12)<\/li>\n\n\n\n<li>Iro Haarla Quintet &#8211; Satoyama &#8211; Vespers &#8211; (4:49)<\/li>\n\n\n\n<li>Paul Heller &#8211; For You (Paul Heller) &#8211; A Day in Brussels &#8211; 2024 (3:05)<\/li>\n\n\n\n<li>Fred Hersch &#8211; Softly, as in a Morning Sunrise &#8211; Silent, Listening &#8211; 2024-04-19 (5:07)<\/li>\n<\/ol>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/frequenceamitievesoul.fr\/fr\/grille-des-programmes\/grilleprogmardi\/22h00-23h00-jazzphabet\/item\/4920-jazzphabet-jazz-en-h<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,18],"tags":[4,5],"class_list":["post-384","post","type-post","status-publish","format-standard","hentry","category-emissions","category-jazzphabet","tag-jazz","tag-radio"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=384"}],"version-history":[{"count":3,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/384\/revisions"}],"predecessor-version":[{"id":389,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/384\/revisions\/389"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}