{"id":469,"date":"2025-12-29T18:45:43","date_gmt":"2025-12-29T17:45:43","guid":{"rendered":"https:\/\/jazzphabet.fr\/?p=469"},"modified":"2026-02-10T17:14:45","modified_gmt":"2026-02-10T16:14:45","slug":"jazzphabet-retrospective-2025","status":"publish","type":"post","link":"https:\/\/jazzphabet.fr\/index.php\/2025\/12\/29\/jazzphabet-retrospective-2025\/","title":{"rendered":"Jazzphabet : r\u00e9trospective 2025"},"content":{"rendered":"\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/jazz-18-12-25-retrospective-2025.mp3\"><\/audio><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-1024x1024.jpg\" alt=\"\" class=\"wp-image-470\" srcset=\"https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-1024x1024.jpg 1024w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-300x300.jpg 300w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-150x150.jpg 150w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-768x768.jpg 768w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-1536x1536.jpg 1536w, https:\/\/jazzphabet.fr\/wp-content\/uploads\/2025\/12\/Cover-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958   (g\u00e9n\u00e9rique)<br>Emmanuel Bex &#8211; Eddy m&rsquo;a dit &#8211; Eddy m&rsquo;a dit &#8211; PEEWEE &#8211; (3:47)<br>John Scofield &#8211; Memories of Home &#8211; ECM &#8211; (5:28)<br>Avishai Cohen The Seventh &#8211; Ashes to Gold &#8211; ECM (3:23) <br>Alma Mi\u0107i\u0107 &#8211; &lsquo;S Wonderful &#8211; Lilac Wine &#8211; Tribute to Helen Merrill &#8211; (2:46) <br>St\u00e9phane Kerecki &#8211; Silence &#8211; Liberation Songs &#8211; <em>S<\/em>elf Two Music (6:19) <br>Jazzphabet &#8211; jingle jazz tous les \u00e9tages Joel &#8211; (0:10) <br>Henri Texier &#8211; Samba Loca &#8211; Healing Songs &#8211; Label Bleu (4:23)<br>Joe Lovano &#8211; Love in the Garden &#8211; Homage &#8211; ECM (4:11)<br>Yves Rousseau &#8211; Shabda &#8211; Ova &#8211; Alla Luna (7:34)<br>Gabi Hartmann &#8211; Take a Swing at the Moon &#8211; La femme aux yeux de sel &#8211; Masterworks (3:40)<br>No\u00e9 Huchard &#8211; Enough &#8211; Young and Fine &#8211; Gaya Music Production (3:10))<br>daoud &#8211; plagiat &#8211; ok &#8211; ACT &#8211; 2025 (2:30) <br>Marilyn Mazur, Jan Garbarek &#8211; Clear &#8211; Elixir &#8211; 2008 (3:01) <br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cannonball Adderely &#8211; Love For Sale &#8211; Somethin&rsquo; Else &#8211; 1958 (g\u00e9n\u00e9rique)Emmanuel Bex &#8211; Eddy m&rsquo;a dit &#8211; Eddy m&rsquo;a dit &#8211; PEEWEE &#8211; (3:47)John Scofield &#8211; Memories of Home &#8211; ECM &#8211; (5:28)Avishai Cohen The Seventh &#8211; Ashes to Gold &#8211; ECM (3:23) Alma Mi\u0107i\u0107 &#8211; &lsquo;S Wonderful &#8211; Lilac Wine &#8211; Tribute to &hellip; <a href=\"https:\/\/jazzphabet.fr\/index.php\/2025\/12\/29\/jazzphabet-retrospective-2025\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Jazzphabet : r\u00e9trospective 2025<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[16,4],"class_list":["post-469","post","type-post","status-publish","format-standard","hentry","category-retrospective","tag-actualites","tag-jazz"],"_links":{"self":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=469"}],"version-history":[{"count":5,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/469\/revisions"}],"predecessor-version":[{"id":491,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/posts\/469\/revisions\/491"}],"wp:attachment":[{"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzphabet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}